By Niall McArdle Like her contemporary, Una O’Connor, Sara Allgood came to films by way of the Abbey. Indeed, their careers ran on similar paths and intersected several times. They both worked for Alfred Hitchcock in Britain and they were both favourites of John Ford. They both parlayed their Irishness into success. O’Connor, bone-thin and […]Read more "Diasporational Part Fifteen: Sara Allgood"